Category: Culture (Page 4 of 4)

Culture

Success of National Ballet of China in Edinburgh

The National Ballet of China gave an adaptation of classical opera, The Peony Pavilion, its European première at this year’s Edinburgh International Festival, which has been extremely well-received.

This performance was shortened to just one hour and forty minutes, and was directed by Li Liuyi, choreographed by Fei Bo, and had music composed by Guo Wenjing. The original, or course, was written by the legendary Tang Xianzu in 1598, and lasted a total of 20 hours. Some audiences may have already seen the 2001, movie adaptation of this play, which was titled ‘Yóuyuán Jīngmèng’. However, whilst it might be easier to watch a movie version whilst checking emails or playing online games at the Chinese PartyPoker site, nothing quite compares to seeing pieces like this performed live. Indeed, this latest dance interpretation of The Peony Pavilion has been, for many, one of the highlights of this year’s Edinburgh International Festival.

The plot of The Peony Pavilion follows a young girl who falls asleep and dreams of a man with whom she falls in love. Upon waking, she becomes obsessed with the man from her dream, and eventually dies of a broken heart. However, the president of the underworld judges that she is destined to marry the man she has seen, and so she is brought back to life in order to do so.

Audiences are said to have been particularly impressed by the stunning aesthetics of this particular production, which feature a number of traditional costumes, and draw on other typically Chinese styles of dance. The festival celebrates a wide range of performance art, and take places in Scotland’s capital city. This year’s festival director, Jonathan Mills, had chosen to include the production as one of the many examples of how Eastern culture has come to inspire much Western art.

Too many men in China leads to dating issues

China has a host of demographic issues facing the country as the population gets older. However, the largest issue revolves around the fact that there are too many men in China. The one-child policy has led to far fewer females being born. This naturally leads to a host of dating issues in China that will only get worse over the years.

We might see all sorts of interesting developments as this will be country where one out of four men are single, but not by choice. It will be interesting to see if China ends up allowing more foreign brides and the impact that would have on the culture. Also, more Chinese men will end up dating younger women. But then that means even fewer women available for young men who aren’t financially secure enough to compete with the older men.

It sounds like a demographic disaster and it will be interesting to see what happens.

Profile of TV host Yang Lan

SHANGHAI, CHINA - JULY 5: (CHINA OUT) TV host Yang Lan attends the opening ceremony of the LAN Club Shanghai on July 5, 2008 in Shanghai, China. The club, occupying a four-storey classical building at the Bund, is the second in a series launched by the South Beauty Group, a luxury club service provider in China. The club boasts its grand lobby, Chinese lounge, bars, and the exhibition hall. (Photo by China Photos/Getty Images)

Fast Company has a cool profile of TV host Yang Lan. She is one of China’s biggest celebrities and she’s aiming to become a media mogul.

She has sought to turn that fame into a full-fledged business empire. Yang has created new programming for TV — including one of the first shows targeting women — and set up sites on the burgeoning Chinese-language Web. She has bought print publications; she sells credit cards; she’s even hawking a co-branded jewelry line with Celine Dion. She and her husband, Bruno Wu, are one of China’s richest couples; Forbes has estimated their wealth at about $300 million. All of which has led the foreign press — and her own handlers — to rarely miss an opportunity to call her the Oprah of China.

It’s not a fair comparison: The clapping session is an apt metaphor for the ways in which the Chinese-media marketplace — and Yang herself — is fundamentally more constrained than the American. There are the constantly changing government regulations; television, says Jeremy Goldkorn of the Beijing media blog Danwei.com, “is the most tightly controlled of all Chinese media because it remains the one truly mass media. There are a huge variety of rules and restrictions on TV content, and they change regularly.” And there is her generation’s own worldview; China’s fortysomethings entered adulthood as their nation simultaneously opened up (under Deng Xiaoping, to get rich was seen as progressively more glorious) and closed down (Tiananmen Square in 1989 imprinted on their young minds that breaking the rules was not the path to glory).

Yang Lan, 42, has done wonders to achieve what she has so far, being careful to maintain her above-the-fray image while morphing with the fast-shifting landscape. “You do what you can do,” she says with a sigh in lightly accented, fluent English. Some of her ventures have succeeded — her interview show has been one of the past decade’s megahits — while others, including her Sun TV network, have been huge flops. Through it all, she has held on to her biggest asset: her fame. Liu Yingqi, vice president of China Life Insurance Co., which sponsors New Girl in the Office, says, “She’s the audience’s Yang Lan, society’s Yang Lan.” But the same country that has embraced her and elevated her to such success has also kept her from being the woman she wants to be — Yang Lan’s Yang Lan.

Good luck to her!

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